WORKS LIST (SELECTION)

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Important works

I get awfully lonely when I'm ignored ... – violin, piano, and objects : 20 - 30m; commissioned
and premiered by Tenth Intervention (Hajnal Pivnick, violin; Adam Tendler, piano)

Piano Concerto: Solution – a concerto for piano & percussion orchestra (5 players)
(2019) – 15m; commissioned by Robert McCormick for the McCormick Percussion Group
and soloist Eunmi Ko (piano)

Movements in Movement & Sound (2019) – solo vibraphone and objects : 15 - 20m;
commissioned and premiered by Bill Solomon

Conduct thy footsteps ... (2019) – voice, clarinets, objects : 20 - 40m; commissioned
and premiered by NOISE-BRIDGE (Christie Finn, soprano; Felix Behringer, clarinets)

S L E E P (2019) – a sci-fi chamber opera : 17m; featured in the Oper’Actuel 2019 Works
in Progress Workshop sponsored by Chants Libre, Montréal, Canada

His Mind & What He Heard in Central Park in the Late 90s (2018) – solo voice : 6 - 8m; composed
for Anna Elder and the 2019 Conference on Music and Erotics

Empathy I: Diamond Reynolds (2017) – solo voice : varying lengths; commissioned
by the Voic(ed) Project. Performances by Anthony R. Green and Carl Alexander in the
US, Germany, Turkey, and Switzerland

A Single Voice: Solitary, Unified (2017) – solo alto sax, fixed media audio, projections :
5 - 20m; commissioned by an 11-member consortium led by Neal Postma

Almost Over (2017) – SATB sax quartet : 7m; commissioned by the Keuris Quartet for
performances in the 2017 Grachten Festival (Amsterdam, the Netherlands) and the 2017
Gaudeamus Muziekweek (Utrecht, the Netherlands)

Peaks (2008/2013/2017) – orchestra (various instrumentation, including optional sax) :
7 – 9m; orchestral version of 3 Groups, premiered by the NC Governor’s School
Orchestra (Orlando Cela, conductor), Winston-Salem, NC, July 2017

(em)brace or what my cell phone has a tendency to do to me (2017) – 2 performers :
6 – 20m; commissioned by mobius/circuit bridges, premiered at Judson Church in
New York City, June 2017, second performance at Green St. Studios, Boston, MA,
June 2017

Collide-oscope IV (2016) – violin, viola/voice : 5m45s; selected for a premiere
performance with the Boston Microtonal Society, performed by Gabriella Diaz (violin)
and Wendy Richman (viola/voice)

Collide-oscope III (2016) – oboe, clarinet in B-flat, bassoon : 14m15s; honourable
mention, 37th Young Composer Competition for the Frederic Mompou International
Award, organized by Joventuts Musicals de Barcelona

Collide-oscope II (2016) – string trio : 10m30s; premiered by counter)induction, with
subsequent performances by Desdemona & Chartruese in NYC and the Twin Cities

Collide-oscope I (2016) – flute, clarinet in B-flat, violin : 5m; selected for a
reading with Oerknal! during Gaudeamus Muziekweek 2016

P is for … (2016) – solo voice : 1m; commissioned in celebration of The
Playground’s 10th season with a gift from Alix and John Corboy. Premiered by
Megan Buness, March 2016, subsequent performances by Amanda DeBoer Bartlett

Verbinding ~ 32 apophthegms inspired by the Goldberg Variations (2015) – alto
saxophone, piano : 13m; commissioned by Neal Posthma, premiered at the World
Sax Open 2015, Strasbourg, France, July 2015, by Neal Postma and Anthony
Green; second performance at International Saxophone Symposium, Winchester,
VA, January 2016

t(h)rees (2015) – alto trombone, tenor trombone, tuba : 6m45s; premiered at the
Druskomanija 2015 festival in Vilnius and Druskininkai, Lithuania, for the Brassy
Vuvuzela concerts

[(s)(w)(2e)] / [(j)-(m)(b)] / [(f)(t)(c)] (Scintillation III) (2015) – bass-clarinet, marimba :
11m; commissioned by Transient Canvas, premiered at Third Life Studios’ Open
Sound (Somerville, MA), April 2015

Fanatic (2015) – solo piano : 8m30s; commissioned by pianist Amanda Setlik,
premiered at CU Boulder, April 2015; second performance by Hayk Melikyan in
Yerevan, Armenia, March 2016; subsequent performances in Italy, Greece, and
the US by Eunmi Ko

… heen en weer … (2015) – string trio : 13m30s; commissioned by Sound
Energy, premiered at Clark University (Worcester, MA), March 2015; selected for
EXPLORE! Workshop by dissonArt ensemble, Thessaloniki, Greece, January 2015

Alex in Transition (2014, ongoing project) – opera, with libretto by composer,
about the life and journey of a fictional transgender woman; selections performed by
New Fangled Opera (New Orleans, June 2014) and featured during the Opera
Frontiers Festival sponsored by Ft. Worth Opera, May 2014; complete performance
of Transitions I, II, & III at the Israel Conservatory of Music (Tel Aviv, Israel; June 2016);
current duration : 70m

Memo Pieces (2014) – open ensemble : open duration; premiered by Anthony
Green at Muchmore’s, Brooklyn (NY) for the Strange Stage Experimental Showcase,
November 2016

PizzQ (2014) – string orchestra : 10m; commissioned by Sphere ensemble
(conductorless string orchestra), premiered in Golden, CO, May 2014

B A 4 (2013) – 2 vocalists and optional dancer : 10 – 13m; premiered at AUT: The
Body Project by BLY (vocal duo) and Lissbeth Sonne (dancer) in Aarhus and
Copenhagen, December 2013; featured in The 21st Century Voice; Contemporary
and Traditional Extra-Normal Voice, 2nd Ed. by Michael Edward Edgerton, published
by Rowman & Littlefield, April 2015

Through American Time (2013) – bassoon and piano : 13 – 20m; premiered by
Noise-to-Signal Ensemble (Alex Meaux, bassoon; Adam O’Dell, piano) at Bowling
Green State University, November 2016

Ohkyanoos (2013) – flute, bass clarinet, percussion, violin, cello, piano : 8m;
premiered by Ensemble Transmission during the 5th Pharos International Contemporary
Music Festival, Nicosia, Cyprus, October 2013 (Anthony R. Green, conductor)

Premises (2012) – solo timpani : 9m; commissioned by Todd Quinlan, premiered at
Blinn College in Brenham, TX, November 2012

… I shall shake his hand … (2012) – tenor and contrabass, text by composer : 16m30s;
featured during the Fulcrum Point Discoveries Series, produced by Fulcrum Point New
Music Project, in Chicago, Illinois, USA (November 2016)

Weightless (2011) – alto saxophone and piano : 6m; premiered by Benjamin Sorrell
and Anthony Green as a part of the Pendulum New Music Series at CU Boulder,
December 2011. Subsequent performances during the Manchester New Music Mini
Festival, February 2013, the North American Saxophone Alliance Conference, March
2014, and the World Sax Open 2015, July 2015; recipient of Honorable Mention in
the ASCAP Morton Gould Awards

2 Letters of Queen Marguerite (2011) – soprano & piano, text by Marguerite de Valois,
translated by Liselotte Dieckmann : 8m; commissioned by Ms. Emily Sinclair, performed
at CU Boulder, March 2012

Refraction Aberrance (2010) – cello and ensemble of piano, harp, guitar (or any
combination) : 12m; premiered by Mathieu D’Ordine (cello), Anthony Green (piano), and
Morgan Black (harp) at CU Boulder, December 2010

The Gettysburg Address (2010) – soprano, clarinet/bass clarinet, cello, percussion, piano,
text by Abraham Lincoln : 12m; commissioned by The Playground Ensemble, premieres
in Boulder and Denver, CO, April and May 2010; featured on their debut CD Dreams Go
Through Me

Encomium (2009) – SATB saxophone quartet : 5 – 7m; commissioned by the Flatiron
Saxes 4, premiered at the North American Saxophone Alliance conference in New Mexico,
March 2010; subsequent performances at CU Boulder, April 2010; published in the
2011 Anthology of Contemporary Concert Music

Scintillation II (2008) – viola and cello : 7 – 10m; commissioned by violist Ashleigh Gordon
and cellist Ginevra Ventra, premiered in Boston, November 2008; subsequent performances
at ic[cm] 2010 in La Coruña, Spain by members of Grupo International Siglo XX, and recitals
at Queens College with Gregory Williams (viola) and Jenna Girone-Virgilio (cello), in New
York City, and at the Lilypad with Ashleigh Gordon (viola) and Rob Mayes (cello); recipient
of Honorable Mention in the Earplay Donald Aird Memorial Composition Competition

3 Groups (2008) – chamber orchestra : 7 – 9m; premiered by Ossia New Music Ensemble
as the winner of their Second Annual International Composition Prize, March 2009; recorded
and workshopped by Alarm Will Sound, October 2008

SonikaChenzì (2007) – solo guitar : 8m; commissioned by Leo McFadden, performed at
Boston University and New England Conservatory, October 2007 and April 2008

Nicht Zart II: Hommage à Scelsi (2007) – contrabass and piano : 7m; premiered by members
of the Callithumpian Consort in a masterclass with Walter Zimmermann, during the Summer
Institute of Contemporary Performance Practice (SICPP) 2007; subsequent performances by
David Goodchild (contrabass) and Anthony Green (piano), and Łukasz Kłusek (contrabass) and
Art-Oliver Simon (piano) in Leipzig and Dresden, Germany, as part of their “Works of the
Young Generation” project; published by Art-Oliver Simon Verlag

Electroacoustic, Fixed Media Audio, and Film works

Kid Gunner Brother (2019) – 3m; recording of a performance of this work by
Darian Thomas, during a residency at the Gettysburg National Military Park,
sponsored by the National Park Arts Foundation. Video featured on I Care If
You Listen ; screened during the exhibition A Word of Warning at Spike
Gallery in Berlin

Hover (2018) – 9m30s; film to accompany the premiere of Hover (2014) for open
ensemble. Video made specifically for the Ghost Ensemble, and their December 2018
performance in New York; note: bespoke films created for most performances of this work,
as durations can vary drastically

We Cannot Be Afraid/Kindness Recitation (2015) – 15m; film created from the visual
score of the work of the same name by Renee’ C. Baker

when waking (2014) – film with original poetry and music : 5m; filmed in Maastricht, the
Netherlands, compiled at the Virginia Center for the Creative Arts residency. Presented
without audio for the Forever Now curatorial project in Federation Square (Melbourne,
Australia; September – November 2014), without video on Radiophrenia (April 2015), and
in whole at MUSLAB 2014 in Mexico City, Mexico (October 2014) and at the xMV
screening and competition in New York City (April 2015)

MONMA (2009) – improv voice and fixed media audio : 36m51s; realization of a graphic
score to The Metaphysics of Notation by Mark Applebaum; performed at the Cantor Arts
Center at Stanford University, Palo Alto, California (October 2009); a selection of the
performance is featured on the DVD released through Innova

Glisten (2009) – tuba and SuperCollider : 11m07s; created at CRuNCh Lab at the
University of Colorado at Boulder; premiered at the University of Colorado at Boulder
(May 2009)

Flecks of luminescence (2008) – created at CRuNCh Lab at the University of Colorado
at Boulder : 10m11; diffused at the University of Colorado at Boulder (2008), Esta Casa
Esta Sonada project in Maracaibo, Venezuela (March 2010), the Annual World Listening
Room Project at Cal State Fullerton (February – March 2013), and SPECTRA 2016 at the
Malaysia Music Technology Festival in Kuala Lumpur (October 2016)

What Almost Happened (2008) – created at CRuNCh Lab at the University of
Colorado at Boulder : 4m43s; diffused at the University of Colorado at Boulder (2008),
broadcast on KGNU’s Present Edge show in Boulder, CO (March 2009), diffused at
Zeppelin 2009: Sounds of Power / Listening of Fear in Barcelona, Spain (December)

Other works:

To Anacreon in the US (2019) – solo piano : 5m; commissioned by Victor Rosenbaum,
premiered by Aristo Sham

A Series of Harmonies (2018) – open ensemble : various durations; commissioned
by Nathan Matthews of To Be Sure for a consortium featuring 4 other composers

Mr. Brewster’s Invigorating Inventions (2018) – opera, soprano, mezzo, baritone,
piano : 35m; winner of the Zepick Modern Opera Prize, organized by Opera Kansas
(August 2018, premiere). A STEAM (science, technology, Engineering, Arts, and Math)
opera for children young and old about the history and development of the
kaleidoscope; subsequent performances by Opera In a Can and the Annapolis Opera

Ivory (2011/2017) – solo harp : 6m; first prize winner in the Future Blend Harp Project
competition (for best collaboration), premiere performance by Olivia Jageurs at Lord
Leycester Hospital (Warwick, England), January 2017; second performance by Olivia
Jageurs at the Underdog Gallery (London, England), January 2017

Oh, Freedom! (2015) – flute, viola, cello, optional tenor and spoken word performer
(text by Amber Rose Johnson) : 30m; commissioned and premiered by Castle of our Skins
at the African American Meeting House in Boston, MA, June 2015; subsequent
performance by Castle of our Skins in Gettysburg, PA, November 2016, and the Atlanta
Contemporary Ensemble (first movement only, with dance)

Catalpa (2014) – piano trio : 7m15s; featured in and recorded at the International
Composers Workshop, St. Patrick’s College Drumcondra, Dublin, Ireland, by The Fidelio
Trio, February 2015; official world premiere by Verdant Vibes, Providence, RI,
December 2015

on/Zeker (2012) – solo violin : 10m; premiered by Marcin Arendt for a workshop with
the JACK Quartet; recorded by Hajnal Pivnick during a workshop in Boston, May 2014

3 Vignettes of Job ~ a multimedia exploration (2011) - mixed ensemble, improv
ensemble, open ensemble, actors, live electronics, fixed media audio, video, and all-in-one
actor/dancer/improvisation artist/singer as Job, text by various authors : 90m; funded by
the ATLAS Fellowship and a residency at the Kimmel Harding Nelson Center for the Arts

… on top of a frosted hill … (2011) – cello and piano : 13m; premiered by Rebecca
Hartka (cello) and Pei-yeh Tsai (piano); subsequent performances by Mathieu D’Ordine
(cello) and Anthony Green (piano) in Colorado and San Francisco. Version for cello and
harp (2014) commissioned by the Providence Premieres Festival, May/June 2014.
Version for viola and piano (2016) commissioned by Castle of our Skins, for a
performance in June 2016 (Chicago)

3 Quotes of Shakespeare (2010) – soprano and piano : 3m; premiered by Courtney
Sherman (soprano) and David Severtson (piano) during the debut concert of a very
small consortium. Subsequent performances by Ceceilia Allwein (soprano), and Clio
Montrey (soprano)

Light Motives (2009) – violin and piano : 4m30s; premiered at the University of
Central Missouri New Music Festival, April 2011, second performance at Hong Kong
Baptist University, November 2015; and Lighter Motives (2013) – version for flute,
violin, vibraphone, piano; premiered at MusicaPoi 2013 by Ensemble Spaziomusica,
October 2013

Intrepid (2008) – orchestra (with soprano, vocalise) : 7m45s; reading by the
Colorado University Symphonic Band, December 2008 ; version for orchestra alone
available upon request

Instinct (2008) – string orchestra : 7m; commissioned by the Freisinger Chamber
Orchestra, May 2008; second performance by the All Campus Orchestra at the
University of Colorado at Boulder (April 2011); third performance by the Chamber
Orchestra of Bellas Artes, conducted by Brad Lubman, featured in the 34th Foro
International de Música Nueva Manuel Enriquez (June 2012); fourth performance by
the Colorado Mesa University String Orchestra (October 2015)

Dona Nobis Veritatem: a setting of American text (2008) – viola, soprano, and
piano, text by Thomas Jefferson (et al., Declaration of Independence), Philadelphia
Convention (Preamble and Bill of Rights) : 30m; commissioned by Amanda Bulat,
premiered by Ashleigh Gordon (viola), Ceceilia Allwein (soprano), and Anthony
Green (piano) at New England Conservatory, March 2008. Subsequent
performances of selections at Jordan Hall (Rebekah Alexander, soprano), Eastman
School of Music, Longy School of Music, and others

Sonnet LXXXI (2006) – soprano, piano, text by composer : 4m45s; premiered by
Marissa Joy Clark (soprano) and Anthony Green (piano); repeat performances by
Yael Handelman, Emily Belastock, Madeline Edwards (with Qiao Zheng Goh, piano),
Lori Celeste Hicks (with Marvin Mills, piano), and Iris Brill (within Alex in Transition).
Song appears with slightly different words in the opera Alex in Transition, Transition
II: Alex & Amy

Chance (2004/2007) – string quartet : 7m; winner of the Honors Ensemble
competition at New England Conservatory; premiered by the Laurel String Quartet
(now separated); subsequent performances by the Providence String Quartet (venues
in Rhode Island and Massachusetts), the Eppes String Quartet (venues in Florida), the
Playground Ensemble (venues in Denver), the Apple Hill Chamber Players (venues
New England and elsewhere), the Zukovsky String Quartet (Symphony Space, New
York City), members of The Orchestra Unleashed (El Portal Theater, North
Hollywood, CA), Castle of our Skins (Phillips Collection, Washington D.C.), etc …